Lise Lindstrom joins the roster of Artists Management Zürich where she will work with the highly-regarded agent and administrator, Rita Schütz.
Previously employed in the artistic administration department of the Zürich Opera House, Ms. Schütz began working in the management world in 1981 and has since developed a reputation as one of opera’s leading agents through her strong…
On October 8, Lise Lindstrom steps in as Brünnhilde in Andreas Homoki’s new production of Die Walküre with Zurich Opera.
Regarded as one of the leading Wagnerians of her time, Ms. Lindstrom has garnered great acclaim in this signature role throughout the years:
“Lindstrom is glorious as Brünnhilde, headstrong and mercurial but also pensive and supple. There is a ringing,…
On September 24, Lise Lindstrom will join the London Philharmonic Orchestra, the London Philharmonic Choir, and members of the London Symphony Chorus in an exceptional performance of Arnold Schoenberg’s epic masterpiece, Gurrelieder.
Based on poetry by Jens Peter Jacobsen, this three-part cantata explores the themes of love, death, and the supernatural. Ms. Lindstrom will…
On September 7 and 8, Lise Lindstrom will make her highly-anticipated debut as Isolde in Act II of Richard Wagner’s Tristan und Isolde with the Helsinki Philharmonic Orchestra under the baton of the orchestra’s chief conductor, Susanna Mälkki.
Originally slated to take on Isolde in the 2020-2021 season with the Tokyo Symphony Orchestra, this will mark her first time tackling…
This July, Lise Lindstrom will join Nationaltheater Mannheim as the epic Valkyrie, Brünnhilde, in Richard Wagner’s Der Ring des Nibelungen, also known as the Ring Cycle.
The monumental cycle is comprised of four of Wagner’s most celebrated music dramas: Das Rheingold, Die Walküre, Siegfried and Götterdämmerung, with Brünnhilde appearing in the latter three of these operas.…
On July 10, Lise Lindstrom performs the role of Brünnhilde in Götterdämmerung as part of Oper Leipzig’s Wagner 22 Festival. This spectacular festival will feature all thirteen of the hometown composer’s operas in just over three weeks.
Rosamund Gilmore’s thoughtful production of the final opera in Wagner’s Ring Cycle makes use of a singular, elegant set and incorporates…