Lise Lindstrom, freed from the shackles of Puccini’s icy princess, was heartbreaking as Tove. For a singer whose repertoire includes most of the dramatic soprano roles she brought a rare tenderness and voluptuousness to the role. Yes,…
Read MoreLeipziger Volkszeitung
Eigenständige Brünnhilde mit grandiosem Potenzial ...Hell ist dieser Sopran, sprachlich fein ausdifferenziert – eine sehr eigenständige Brünnhilde mit…
Read More"Lise Lindstrom ist als Brünnhilde eine blendende und jugendliche Erscheinung, verständlich dass sie die Verkörperung von Wotans Wille darstellt. Selten hört man die Hojotoho Rufe zu Beginn des 2. Aufzuges so jubilierend, strahlend…
Read More"La californiana Lise Lindstrom cantó e interpretó a Salomé con esa pizca de ingenuidad que se transforma en infame perversidad al final de la ópera. Su voz tiene ese afilado metal, dúctil y brillante, capaz de transmitir a la vez el…
Read More“The part of the woman that is imperative for the plot, that is, the wife of the dyer Barak, that is, Die Färberin, was created by the dramatic soprano, Lise Lindstrom. In doing so, she gave vocal expression to the frustrated wife in…
Read MoreTexas Classical Review
“The orchestra opened the piece with a bold four-note expression that would later form the melody of Andromache’s introductory phrase. Lindstrom’s soprano was…
Read More“As the “Ice Princess” she is riveting. She met with apparent ease the huge demands of “In questa reggia” depicting Turandot’s implacable ties to the historic tragedy which motivates her. In a powerhouse performance augmented…
Read More“Lise Lindstrom gave us the sneer of cold command, a true ice princess. In the riddle scene that closes Act 2, I take my hat off to any pair of singers who can make themselves heard clear and strong above the Liceu Orchestra in full…
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