Siegfried at Opera Australia
Limelight Magazine
“Lise Lindstom too delves deeply into the conflicted side of Brünnhilde, charting the path from radiant awakening through the dawning realisation of the challenges of…
Read MoreLimelight Magazine
“Lise Lindstom too delves deeply into the conflicted side of Brünnhilde, charting the path from radiant awakening through the dawning realisation of the challenges of…
Read More“Lindstrom is glorious as Brünnhilde, headstrong and mercurial but also pensive and supple. There is a ringing, exalted aspect to her performance, and her voice is winningly warm and penetrating. It bodes well for the long journey to…
Read More“Lise Lindstrom’s Brünnhilde, her first full Cycle in the role, should install her as one of the greats”
Read More“In the title role, American Lise Lindstrom… in addition to piercing highs and powerful projection, possesses a rare quality among dramatic sopranos: a youthful tone that is ideally suited to the character.”
Read More“Eclipsing all others, rightly, was the Salome of Lise Lindstrom…who must be regarded as one of the finest living exponents of this fearsomely taxing role. She has the seductive looks, the cruel half-smile, the mesmerising stage…
Read More“Lise Lindstrom, she of the towering soprano in stature as well as voice, gave Turandot a suitably cold edge but it was a magnetic performance for all that. The young American displayed a sharp and powerful voice, restrained when it…
Read More“Lindstrom could pin us to our seats with sheer volume and she commands the stage with practiced imperial gestures, but Lindstrom understands that a great Turandot needs to find the moments when the character’s vulnerability can be…
Read More"The stage presence and immensely powerful voice of the American soprano Lise Lindstrom made the elusive Turandot the magnetic force that she needs to be.… Lindstrom is a fast-rising star of the dramatic soprano repertory and absolutely…
Read MoreThe Opera Critic
“Lise Lindstrom is a Salome to be reckoned with. Here’s a soprano with a model figure and the ideal deportment to depict Strauss’ teenage princess. Not only has…
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