“The orchestra opened the piece with a bold four-note expression that would later form the melody of Andromache’s introductory phrase. Lindstrom’s soprano was warm, lamenting, and powerful, requisitely on the dramatic high A’s for which the piece calls. With biting diction and full, well-supported phrasing, her Andromache was dramatic and scornful, matched by the support provided by the orchestra.”

Texas Classical Review