Die Frau ohne Schatten (Die Färberin) with the Rotterdam Philharmonic Orchestra
“The part of the woman that is imperative for the plot, that is, the wife of the dyer Barak, that is, Die Färberin, was created by the dramatic soprano, Lise Lindstrom. In doing so, she gave vocal expression to the frustrated wife in…
Andromache’s Farewell with Dallas Symphony Orchestra
Texas Classical Review
“The orchestra opened the piece with a bold four-note expression that would later form the melody of Andromache’s introductory phrase. Lindstrom’s soprano was…
“As the “Ice Princess” she is riveting. She met with apparent ease the huge demands of “In questa reggia” depicting Turandot’s implacable ties to the historic tragedy which motivates her. In a powerhouse performance augmented…
“Lise Lindstrom gave us the sneer of cold command, a true ice princess. In the riddle scene that closes Act 2, I take my hat off to any pair of singers who can make themselves heard clear and strong above the Liceu Orchestra in full…
“Fortunate to score the amazing Lise Lindstrom in the title role…An overwhelming triumph especially for Lise Lindstrom. Perhaps the greatest Salome opera has ever had.”
“Lise Lindstrom for the first time as Elektra records a role of poetic depth: hard and yet with isolated human approaches. Cutting her timbre, with a touch of metallic sound that flares up when she sings into rage, but does not give way…
“Lead dramatic soprano Lise Lindstrom has a voice made for the role of Turandot. She commanded attention, riding clearly above even forte orchestral passages and easily filling the sold-out Civic Center’s 3000-seat auditorium……
“Elektra, played by soprano, Lise Lindstrom, uses more than a traditional palette of colors. Onstage for almost the whole hour and forty-five minutes of the opera, she…