Review

Die Frau Ohne Schatten at the Metropolitan Opera

Lindstrom has a tremendous stage presence, doing a lot with little. She’s stoic on stage, but there’s fire in her eyes. With a subtle turn of the head, she can express all the contempt for her husband without having to do much more.…

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Feature

Q&A: Lise Lindstrom discusses Wagner, Strauss, Puccini, & Life

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Review

Das Rheingold in Dallas

Classical Voice America

Lise Lindstrom triumphed as a deeply sympathetic, vocally magnificent Brünnhilde. The thrilling battle cry of her entrance gave way to warmer tones and the expression…

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Review

Siegfried at Opera Australia

Lise Lindstrom als Brünnhilde ist ebenso gut in Form wie in der „Walküre“ – ihr Erwachen ist durch einen präzisest angesetzten Ton markiert, und ebenso präzise geht es bis zum jubelnden Finale sängerisch wie schauspielerisch…

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Review

Götterdämmerung in Brisbane

That brings me to Lise Lindstrom. Lindstrom has been the world’s favourite Brünnhilde for the last four years, and now inhabits this character, both dramatically and musically, with such unremitting intensity that I can say that I have…

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Review

Die Walküre at Opera Australia

Lindstrom is at the top of her game, singing with a confidence that is reassuring. Wagner is no place for ‘will she, won’t she’ when it comes to Brünnhilde’s stratospheric notes, and Lindstrom delivers the vocal fireworks we’ve…

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Review

Die Frau ohne Schatten at Oper Köln

NMZ

Lise Lindstrom geht voll und ganz auf in ihrer emotional zutiefst durchdrungenen Rolle als Färberin...

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Feature

»Du skal stille dig selv spørgsmål om rollen igen og igen« | Interview Lise Lindstrom

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Review

Elektra at the Royal Danish Opera

Elektra bærer tungt på traumet om den myrdede fader. Med drengeklippet frisure, klædt i afslappet unisex-tøj gestaltes den ulykkelige kvinde imponerende af amerikaneren Lise Lindstrom, der i dag er internationalt efterspurgt som…

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