This month, Lise Lindström stars as Barak's Wife at the Polish National Opera, sharing the stage with Tadeusz Szlenkier as The Emperor, Annemarie Kremer as The Empress, Lindsay Ammann as The Nurse, Krzysztof Szumański as The Messenger of Keikobad and Lauri Vasar as Barak.
Mariusz Treliński's production sees the piece as a contemporary tale of a mentally exhausted woman, drawing…
On October 3 and 5, Lise Lindström stars as Marie in Alban Berg's Wozzeck at the Sala Sinfónica in Madrid.
Premiered in Berlin in 1925, more than a social drama or an anti-war statement, Wozzeck is a descent into the abyss of the human condition, captured in a score in which the echoes of a centuries-old musical tradition resound, distorted and disfigured. This major work of…
Lise Lindstrom takes on the towering role of Isolde, opposite tenor Erin Caves, in Richard Wagner’s Tristan und Isolde when the Bayreuth Festival’s acclaimed 2022 production travels to the Shanghai Grand Theatre on July 4 and 6.
Directed by Roland Schwab and conducted by Xu Zhong, this Chinese premiere launches the three-year 'Bayreuth in Shanghai' collaboration between the…
Lise Lindstrom returns to one of her signature roles as Puccini’s icy princess in a new production of Turandot at the Odeon of Herodes Atticus in Athens. Presented by the Greek National Opera as part of the 2025 Athens Epidaurus Festival, Ms. Lindstrom's performances take place on June 1, 5, and 8.
Built in 161 AD at the foot of the Acropolis, the Odeon is celebrated as one of the…
Lise Lindstrom joins The Atlanta Opera as Brünnhilde in Siegfried on April 26, 29, May 2 and 4.
This marks the next installment in the company’s ongoing presentation of Richard Wagner’s Der Ring des Nibelungen. She will return for the final opera in the four-part series, Twilight of the Gods (Götterdämmerung), next season.
Joining Lindstrom in this magnificent cast…
On March 16, 19, 21, and 23, Lise Lindstrom reprises her acclaimed portrayal of the title role in Richard Strauss’ Elektra at Teatro Filarmonico di Verona.
Recognized for her commanding interpretations worldwide, she has earned high praise from critics, with Huffington Post hailing her as “a perfect Elektra” and Operawire noting, “Never does she let us out of her…