Turandot at Opera Australia

“Lindstrom is in her element as the icy princess. She is a still, imperious figure staring down her nose throughout, but for the confused tenderness of Turandot’s capitulation – a creaky, patriarchal turn of events that the soprano somehow almost renders believable. Her voice grew in suppleness, strength and precision, soaring with increasing splendour through Act III, recalling her previous, triumphant appearances in Melbourne as Brünnhilde for Opera Australia’s 2016 Ring.”